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In =E2=80=9CInside Jane Campion=E2=80=99s Cinema of Tenderness and Bruta= lity=E2=80=9D (The New York Times Magazine, November 16, 2021), Jo= rdan Kisner also discusses the creative process of Campion, a New Zealand s= creenwriter, producer, and director. Campions latest feature length film is= the award-winning 2021 western drama The Power of the Dog, w= hich is based on the 1967 novel of the same name by Thomas Savage and which= features Benedict Cumberbatch and Kirsten Dunst. Kisner=E2=80=99s profile = of Campion includes the following description of her writing process:
When she writes, she often sits on the gr= eat island of her bed and does nothing else. One reason she liked the Jungi= an dream work, she said, is that the analyst=E2=80=99s language matched som= e of her own philosophy. =E2=80=9CShe says it=E2=80=99s like throwing chum = out, seeing what surfaces,=E2=80=9D she said. This is what writing feels li= ke for her. =E2=80=9CIt=E2=80=99s an amazing moment when you realize there= =E2=80=99s a channel. In my case it was just like sitting down for four hou= rs. That was it. Something comes to you. You write. You don=E2=80=99t read,= you don=E2=80=99t use the phone, you don=E2=80=99t do anything else, becau= se then the psyche starts to trust the time.=E2=80=9D
=E2=80=9CSo many writers have an aversion= to just sitting down and waiting,=E2=80=9D I said.
Campion nodded and then paused. =E2=80=9C= I think it makes them afraid.=E2=80=9D